Verse 58 of Sura 36 is 'Peace, this is the word that will be spoken to them from a merciful Lord.' This is one of the few verses that evokes the contact between God and humans.Д«oth tombs are also covered with calligraphic inscriptions referring to the Koran. This text explains the need to send a messenger to Earth with the Qur'an. The perfect life of the humans makes it possible to enter the glory on the day of the last judgment. The text explains how Muhammad was reassured that the difficult period will be short.

These verses tell how Muhammad was comforted, how his anxiety disappeared. 93: The brightness of the day (11 verses).This is the story of the Thamud, an ancient tribe who is now extinct. These verses tell of the destruction of the unbelievers and the entrance of the faithful to Paradise. There is written detail of the last judgment when questioning each one about his actions. This text is an explanation of the separation that takes place in the heavens and gives a description of the last judgment. 82: The Breaking of Heaven (19 verses).These verses speak of the last hour and the resurrection of men. This refers to the revelation of the Qur'an. These are sentences that put forward man's dependence on guiding souls to divine revelation. These verses speak of the 'Treaty of Hudaybiyyah' which provoked the first pilgrimage. The encrusted text is an allegory at the last hour and the day of the last judgment. 36: Ya Sin (It contains 83 verses) The chosen verses speak of the moral responsibility of men, the resurrection and the prayer of the dead.The verses used on the monuments of the Taj Mahal refer to the theme of the last judgment, they are derived from the following suras: There are 114, more or less long, each with a title and a number of verses.

Recall that the Quran is divided into Sura, independent texts referring to the same set. The words of the Qur'anic prayer, recited by angels, implore Allah to allow the faithful to enter Paradise, a touching request for God's mercy to his devoted servant, Mumtaz Mahal. The main text, and finally the most important one, is on the upper cenotaph of Mumtaz Mahal. Inside the mausoleum the tone is more reassuring, with long descriptions of Paradise adorning certain walls. It is a message of severity that is distilled, and it contrasts a lot with the sweetness of architecture, which is rather a symbol of love than a warning. While at the entrance it was an invitation to enter Paradise, the inscriptions on the outer walls of the tomb leave no doubt about the impending disaster awaiting the infidels, the day of judgment. Return to the Lord in peace with him, and he at peace with youДЄs we get closer to the mausoleum, the text changes its tone. The main inscription that receives visitors, on the great gate, before entering the gardens, is: Its presence on the gateway to gardens is not trivial because gardens are a representation of Paradise according to Islam, especially that of the Taj Mahal, which was really designed as such. Moreover, the inscription on the entrance gate of the gardens of the Taj Mahal invites the reader to enter Paradise, the home of the faithful and the reward for the righteous.

The chosen texts generally refer to themes of the judgment and reward of the faithful, with their entries to Paradise. There are twenty-two passages in all, including fourteen entire chapters, some of which are read as part of Islamic funeral ceremonies. Historian Wayne Begley suggests, relatively recently, that Amanat Khan was responsible not only for the practical design of the script, but also for the choice of texts. His signature appears besides many times in the marble. The text is written in a language close to the 'Thuluth', a style associated in particular with the Persian calligrapher Amanat Khan who resided at the Mughal court and who was responsible for making the calligraphy of the entire Taj Mahal. There are also on the entrance gate of the gardens, and on the cenotaphs of Shah Jahan and his wife for whom was built the monument, Mumtaz Mahal. But we can not miss the splendid inscriptions in Arabic seems it, inscriptions that run around the iwans (these porches broad traditional Persian architecture). The mausoleum of the Taj Mahal is very largely decorated with floral motifs, mostly engraved in marble or pietra dura, a technique of stone marquetry.

Description of taj mahal